[...] Antico has always interpreted sculpture as a slender metal element soaring into space, almost perforating it.
These informal acts, "signs" of almost rhythmic movement, are frequently multiplied in parallel elements set at slightly different angles. This has become the artist's personal signature, to which he remains faithful although with continuous variations. His jewels too take shape along these same lines. [...]

Lara-Vinca Masini
2001

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